The View from the West Hill: Granny's

         
     

If there's one thing that always throws me for a loop, it's she-males. I suppose I ought to have a more laissez-faire attitude about. It's not for me, but who am I to judge?

 When my friends Shane and Ann invited us to Michigan for their son's christening, and my wife and I decided to caravan with Hound Dog and his wife Kathy. This was the first time I had been invited to their new place in Detroit, so I let Hound Dog take the lead. After all, he had been there before, and he had directions from Shane scribbled on a napkin. What could go wrong?

  We left after work, and sometime around 9:30, Brian pulled off the highway in a town called Bellville.

  "This don't look right."

  "Do you have the directions?"

  "Yeah, this is what the directions say, but none of this looks familiar."

 From what I could tell, we were in a sea of industrial parks and factories, just outside of Nowhere.  In search of a payphone, we drove down a two-lane highway till we came upon what seemed to be the only activity around: a strip plaza.  At the far end of the plaza, a bar called Granny's.

  My wife went into the bar to use the phone while we waited in our cars. About 15 seconds later she came back out and said, "Um, you guys gotta come in with me."  She led the three of us back into the bar, only saying, "Wait till you see this."  The even mix of trepidation and excitement was too much to resist.

  What's odd about Granny's is the layout. You walk in the front door, and directly in front of you is a hostess station. To your right is a stage. It's not really to your right, it's more like you are standing in the wings, waiting for the director's cue. Why would a dive bar in an industrial park need a hostess? Because it was packed. Why is it packed? Because, as the cheery hillbilly hostess pointed out, "It's a drag show! First Friday of every month!"

  The payphone was on the wall directly behind her, so making nice with her was necessary to get to use the phone. My wife called Shane and tried to explain where we were, what exit we had taken, and try to directions to get back on track.

  Onstage, a manly "woman" in a blue sequin cocktail dress belted out a version of "Hit Me with Your Best Shot" that would have made Pat Benetar proud. In front of the stage were the usual collection of square tables, packed with flannel-clad, work boot-shod crowd typical to any dive bar in an industrial town. Not your typical gay-bar, drag show turnout.  Along the back wall was the bar, with a neon sign that read "Granny's" in iridescent blue.

  We huddled next to the payphone where my wife was trying to explain to Shane where we were, what exit we had taken, and find out where we should be. She kept shouting, "Bellville!  We're in Belleville!  Do you know where Belleville is?"

 When she explained what all the noise was, and that he would need to speak up, the only "directions" Shane offered were, "Run! Run like the wind!" His sense of humor is a frail thing.  Apparently we were tying up her party line, because the hostess took the phone and told Shane, "She'll call you back, sweetie," and hung up.

[We would later learn that Shane turned to Ann and said, "I think they're in some kind of gay bar or something.  Pass me those Chee-tohs."]

As she finished her number, the MC returned to the stage and announced, "It looks like we have some visitors!"  S/he approached our little group with a microphone, and we became the between-the-sets entertainment.  S/he started by asking us each our names, thrusting the microphone in front of us one after the other.

"Who are you, and where are you from?"

"Eric, I live in Kent, Ohio."

"Kathy, I live in Akron. Woo hoo. Akron."

Hound Dog announced, "I'm from Belleville, Michigan, baby!."

  The MC didn't miss a beat, "Uh uh, honey, I've had everyone in Belleville, and I don't know you."

  Our question, naturally, was, "Who are you?"

  The MC batted his/her eyelashes and said, "I'm just a chick with a dick."

  After the introductions were done, and we had been begged to stay and have a good time, I was back on the phone getting the directions from Shane. Out of the corner of my eye, I saw the Dog take the stage with the MC and engage in a discussion about the size of his member.

  "Let's see it, honey."

  The crowd agreed, "Yeah, get it out! Let's have a look!"

  He's done it before, and I have no doubt that he'll do it again. That night, though, it was not to be.

  Kathy ran out of patience. She ran to center stage and drug him out of the spotlight and into the parking lot with his pants unbuckled.  As we said our goodbyes, the singer in the blue dress once again took the stage, delivering a ragged rendition of "I Get a Kick Out of You."

  Out on the sidewalk, in front of a strip plaza in an industrial zone, a drag queen loses her luster. There was something a little sad about pulling away as she stood there waving with the moths fluttering around the fluorescent lights.

 When we got to Detroit, Hound Dog stepped out of the car, shook his head, and said, "I just can't stop thinking about that woman... man.... whatever."

  Me, I couldn't get "Hit Me with you Best Shot" out of my head.  

       

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